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fashion jewelry forthwith delivers a newly bet as raw portions and man-made art deliver followed used fashionable delivering first-rate looker. In that location is in real time a glaze over in the categories of jewelry. Gemstones, for example, are accessorizing cherry with dark-green and chromatic colors. Almost fashion publishings now underline the relevance of gemstone inwards current style.
Adding instinctive beauty to fashion jewelry is equitable one and only factor why gemstones are desired, by with wholesale stainless steel jewelry and wholesale titanium jewelry. Gap up a broad array of colorings and contrives are precocious glass artistry experts. Each conception is excellent brought on with unequalled beads making economic consumption of swirls of colorises, suspended Au, silver cross, and sparking off islands of metal molecules shimmering like goldstone. Such knockout exalts artificers to build on their contrives, containing Murano styled crank jewelry in making flush better contrives.

Wall Street and Main Street seem to be going to different drummers as Wall Street declares the niche may be over and Main Street experiences slowing gross revenues. What can we anticipate as we approach fall?
One thing is sure -floor space and stress have switched tofashion jewelry with less attention on apparel. The logic behind this displace balances on the truth that accoutrements often have lower price points and have a lesser impact on the family budget as they provide feel good buys to clients hungry for a little something original to pick up their heart. In any case accessories can make last year’s raiment a new appearance for this season.
Fashion jewelry is almost forever the accessories that head the domain. Our statistics display that wholesale jewelry sending to retail merchants stays to top all other classes. The “lipstick effect” discovered by Estee Lauder in the niche of 1990 certainly plays into the proceeded popularity of attire jewelry. This breakthrough noticed that lipstick gross revenues rose as advanced tag items slowed during the 1990 recession in upscale department stores. The decision was that women don’t quit bargaining they just proceed to lower priced trade goods to offer a little something original to elevate the spirits.
Wholesale fashion jewelry gross revenues have ignored the economic trends. Every year Fashion Accessories Magazine puts out a report on accessaries gross revenues by category. Info comes from many of the leading department shops and big box shops. According to the earliest report that shows results for 2008 and foretells for 2009, fashion wholesale jewelry hasn’t missed a beat. Each year shows improved gross revenues figures for wholesale fashion jewelry while overall store sales may be contracting.

What incisively does classic mean when applied to fashion jewelry ? Actually, according to Webster, classic is a standard of excellence. This excellence is showed in the components and design of costume jewelry. It likewise often implies harkening back to a previous great era of costume jewelry, like the Victorian age or Golden Age of dress Jewelry (many specify 1930s to 1960s to be this era). One test of classic is jewelry that appeals to a woman, her mother, and her daughter. This universal charm that goes past age groups is a quality of classic jewelry.
Lags in business cause the nightly news, but grows in costume jewelry gross revenues or any other retail sphere occurs below the radar with no one discovering. Even the customers go on to consider affairs are hard as jobs return and retail expenditure increments. Can we count on fashion jewelry ringing the cash records this fall? Most certainly! But it won’t be asserted in the headlines.
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Forget the bling and cheap plastics. Classic costume jewelry will be the rage for the Spring / Summer 2010. Gemstones, Murano styled glass, ceramics, crystal glass, shell are all coming into focus. There is even more in store this season pushing the fashion trends in costume jewelry past previous marks.

Jewelry Design in 2010 Costume Jewelry ----- fashion-china-jewelry.com

Necklaces, necklace sets and layered jewelry are keeping pace. This 2007 season is showing long jewelry is quite "in".

Long necklaces and chain designs are primary, but costume jewelry trends hold something for everyone and you'll find chokers and short necklaces in geometric and hammered metals will provide a hand-made attractive look that will also be part of the trends this season.

Round shapes go beyond geometrics this season with old world looks using large disc pendants and metal rings spacing gemstone and glass show pieces. Earrings and bracelets use concentric circles and bold loops. The go to plating is silver, but the warmth of gold cannot be ignored as it climbs in popularity.

The Colors of Summer ----- fashion-china-jewelry.com

Grey and white are important in the summer of 2010, as well as off-white, light browns, and shades of sage. Think Caribbean in brights with shades of peach, aqua, fuchsia, teal green, and yellow.

Gemstone components are predicted to sell exceptionally well this summer with natural colors in fashion jewelry ranging from shell to wood. Murano style glass and crystal are constantly changing and fine-tuning their designs and selling better than ever this summer 2007 season. Expect to see Murano style jewelry setting new sales records this season.

Facets in Costume Jewelry Trends ----- fashion-china-jewelry.com

Classic denim is beyond blue this season and will be gold in fashion sales with Southwest styles and designer appearances. Southwest motif's, silver plating and metal designs will be highlighted. Expect turquoise and coral to be top sellers and design criteria.

Spring previews began with designers showing new lines dominated by floral designs. Accessories, especially brooches, will reflect the garden theme with blossoms, butterflies, lady bugs, and dragonflies.



Think Victorian this year. Classic looks from history will reflect on the trends this season. Retro and vintage designs will be fresh, with Victorian styles in jewelry and fashion. Cameos, filigree, antique plating will return. Historically, the Victorian era changed styles and fashion forever. Now we will be seeing some of it come back into our current trends in fashion.

A return to values also awakens spiritual and caring feelings. Metal bracelets and necklaces engraved with verses and words of hope are not new, but this season they will enjoy a resurgence of popularity. The trend has already started with some wholesalers reporting it is their hottest item.



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Men's jewelry has taken us by storm. Decades have passed since the idea that jewelry was feminine and only for women. More and more men today are sporting several jewelry pieces and people love it. There is a huge market for men's jewelry. The options for men's jewelry pieces are endless. As the love for this look as grown so has the market. You can purchase any kind of men's jewelry imaginable. New metal materials such as titanium and sterling silver make for sleek modern jewelry pieces any man would be proud to wear. Men everywhere are catching on to the trend and wearing more jewelry than ever before. ------ china-wholesalejewelry.com



6 Reasons Why Men's Jewelry is Hot ------ china-wholesalejewelry.com

• It's the latest trend. For anyone that follows fashion religiously you know that men's jewelry is in style. If you want to be fashionable and stylish you should try wearing jewelry. In today's world appearance is very important and highly regarded. Celebrity men are sporting all sorts of men's jewelry making it that much hotter!

• Wearing jewelry shows that you are confident. Confidence is hot! Women want a man that can handle anything including himself. If you have the confidence to wear jewelry you are comfortable with yourself and a happy person. Confidence is a great trait to portray to the world. Your confidence level will be soaring with jewelry.

• Wearing jewelry sparks conversation. Great jewelry pieces make for great conversation. Meeting new people is always great especially if they are interested in you. Meeting more people can lead to more contacts and social success. If you have a hard time sparking conversation this could be the perfect solution for you!

• Wearing men's jewelry is hot because it makes you feel good! When you receive compliments on your jewelry and appearance you feel good about yourself. This can boost your self-esteem and confidence level. This can make you more productive in your professional and social life. Everyone wants more confidence so buy a piece of men's jewelry now.

• Men's jewelry is hot because you can choose from a wide variety of styles and pieces. There is something available everyone. You can choose from necklaces, rings, cufflinks, bracelets, watches, and earrings. You can even have custom pieces created to match your personality. ------ china-wholesalejewelry.com

• If the special woman in your life gives you a piece of jewelry that is definitely a hot reason to be wearing jewelry. Every time you wear the jewelry she gave you it will make you think about her and your special relationship. She will also find it hot that you are wearing something special she gave you with pride.

There are so many more reasons why men's jewelry is hot. You will have to try men's jewelry for yourself to experience all the benefits. Once you realize how hot you can be wearing jewelry you will never stop! Use one of our reasons as to why men's jewelry is hot to make an excuse to buy a piece of jewelry today.







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once denoted stuff that was costly and hard to obtain. The noun bespoke well-upholstered and Gatsby-esque lives played out against a backdrop of mansions and servants and among others who, as Holly Brubach once observed in The New York Times, “ordered their trunks from Louis Vuitton, their trousseaux from Christian Dior, their Dom Pérignon by the case.”

Carriage-trade luxury went south a while ago and with it went the carriage trade itself. On the way out, it passed a new class of people who — although they might never be able to afford an apartment at 740 Park Avenue or a summer place in Dark Harbor — had acquired both the ability and the hankering to purchase themselves little nothings from Vuitton, Chanel or Dior.

And thus, even in a recession, the client most crucial to luxury goods purveyors is no longer a Rockefeller but a Real Housewife of New York. - --- china-wholesalejewelry.com



And that may account for the decision made by Cartier, the 163-year-old French jewelry house now owned by the Richemont group, to take a populist tack when celebrating its United States centenary. Gathering baubles commissioned over the last century by the celebrated, the rich and the swell, Cartier has installed them in its Fifth Avenue flagship for “Cartier ... 100 Years of Passion and Free Spirit in America” (opening May 1) a rare chance for hoi polloi to get a close look at how the other half once lived.

“Cartier is a true luxury brand,” Frédéric de Narp, president and chief executive of Cartier North America, said last week, adding that “there is no fashion at Cartier, there are no seasonal products. There is just the timelessness of something valuable cherished for generation after generation.”- --- china-wholesalejewelry.com

Yet like most of its competitors, Cartier long ago expanded its scope to include perfume and eyewear, stuff that lacks the recherché glamour of an emerald parure but that does a lot for a company’s bottom line.



It is true that people are left in the world who recognize where to go when they suddenly find themselves in need of a diamond tiara, but they are few. Even before the economy got Madoffed, the pool of clients had dwindled for the sort of baubles the ultrarich once bought to amuse themselves.

And so, particularly at a time when strapped consumers are questioning both their buying habits and the durable value of last year’s “It” bag, there is a certain pleasure to be gained from ogling the keepsakes of boom times, when people with plenty of money — but also time and taste — dropped into Cartier when they felt the itch for a jeweled card case.

Borrowed from clients, estates or else the vaults of Cartier’s Swiss archive, the show is replete with objects like the Duchess of Windsor’s lorgnette and the diamond and panther brooch created for the Woolworth heiress Barbara Hutton. - --- china-wholesalejewelry.com

There is a bracelet of carved emeralds and rubies made for Ganna Walska, the marginally talented opera singer whose genuine gift was marrying well and often (six times). There is the jeweled handbag Condé Nast’s wife had engraved with her home address (1040 Park Avenue) in the possibly delusional expectation that it would be returned if ever mislaid.

And among the other giddily refined oddments is Mary Pickford’s vanity case, Mrs. Cole Porter’s tutti-frutti dress clips, J. P. Morgan’s perfume bottle, the Triple Crown trophy, Mrs. Vanderbilt’s jeweled car travel case and Grace Kelly’s poodle pin. From Elizabeth Taylor’s legendary trove is a ruby and diamond suite that her husband Mike Todd gave her (at poolside, as captured on a film clip that is part of the show). Also there is La Peregrina, a pear-shaped pearl that was discovered in the early 16th century, owned by Mary Tudor, the Spanish queens Margarita and Isabel, and purchased at auction in 1969 by Richard Burton for $37,000. Cartier set it with diamonds, pearls and rubies in 1972.



“We are all about stories at Cartier,” said Mr. de Narp, an assertion seconded by Ms. Taylor herself. - --- china-wholesalejewelry.com

“Of course I wear my jewelry!” the actress said in an e-mail exchange. “I wear the important pieces as well as the simpler ones that I love as much. ‘’ Wearing an exceptional gem “gives me a real high,” she added, and playing with jewelry is among her preferred pastimes, “because each piece tells a story, taking me back to a special person or time or place.” Stones have a life of their own, said Ms. Taylor, whose authority on the subject is incontestable. “There’s something mystical about them. They have their own vitality.”

For Cartier and other luxury goods houses, as Mr. de Narp said, “We are in a defining moment because people are disoriented and need reassurance,” by the economic downturn. “They need something rock solid,” he added, like rocks.

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One pendant, a coin pressed with four Hebrew letters referring to a biblical verse, is a gift from his mother. The other once belonged to his grandfather, who, with Mr. Gindi’s father, founded the store as Gindi Fine Jewelry in 1959.

The Gindis, a Syrian-Jewish family that settled about a century ago in Bensonhurst, Brooklyn, would produce many more jewelers. Adam Gindi, 44, grew up working in the store, and all his siblings have worked in the jewelry business in New York at one time or another.

Diamonds and Dials, with a desirable location near Avenue of the Americas, is popular among young couples who get engaged on the roof of the Empire State Building, just down the street.

But Mr. Gindi now faces an uncertain future. This year, the Port Authority of New York and New Jersey plans to start construction on a project that will build more train tracks beneath the Hudson River, and a reconfigured station entrance is planned for the spot where Diamonds and Dials stands. As part of the project, the city government plans to exercise eminent domain to close the store. ---------- fashion-china-jewelry.com

Mr. Gindi’s eviction would signal the further dissolution of the independent businesses along a 34th Street corridor dominated by national retail chains.

A soft-spoken man with dark brown eyes, Mr. Gindi is struggling to keep up with the slow trickle of information that will determine his future.

“I know that I’m just a small fish over here that’s kind of being caught in bigger negotiations that are happening,” he said. “In the same respect, I have no idea what my future’s going to be like, and it’s in somebody else’s hands.”



The Port Authority has yet to start eminent domain proceedings, since the project, expected to be completed in 2017, is still undergoing public review.

“Our goal is to work with these businesses and help relocate them,” said Ron Marsico, a Port Authority spokesman, adding that Diamond and Dials was eligible for compensation in accordance with state and federal acquisition laws. ---------- fashion-china-jewelry.com

Other businesses scheduled to be closed include Hickey’s and Blarney Rock, adjacent Irish pubs on West 33rd Street, along with a Sunglass Hut, a Payless ShoeSource, a Foot Locker and a Duane Reade.

Mr. Gindi is taking things day by day — for example, spending some time with a Senegalese employee named Samba Dioum, who works downstairs from the shop in a small, windowless room, setting gems and resizing wedding bands. Most of the time, however, Mr. Gindi can be found above in the shop, standing behind the glass counters filled with watches and bracelets, and pondering what might come next. ---------- fashion-china-jewelry.com

“You do everything right,” said Mr. Gindi, the father of 2-year-old twins. “You build a business; you build a family. And then something like this just comes from left field.”



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The Goldsmiths Company of London, one of 12 Great Livery Companies descended from the City’s mediaeval guilds, is preparing an exhibition of contemporary jewelry this summer called Creation II. In 2004 it used Creation I to focus on leading silversmiths. The follow-up brings together work by a dozen of the most distinguished artist-jewelers working in Britain.

The 12, spanning three generations, have created miniature sculptures in precious materials that aspire to be both expressive pieces of art and companions of the people who will wear them.

Mary La Trobe-Bateman, a champion of the applied arts in Britain, is curator of the show, which will be on view at Goldsmiths’ Hall from May 29 to July 11.

For most of the 20th century, jewelry making was dominated by famous houses like Cartier, Bucheron, Van Cleef & Arpels, Tiffany and Asprey, where skilled craftsmen and women toiled anonymously to create exquisite settings for precious stones of breathtaking rarity and expense. What mattered ultimately was the value of the stones, not the originality of the setting.

But in the 1950s and ’60s, independent artists in Europe began to find in jewelry not just a satisfying technical and design challenge but also a stimulating medium for expressing their ideas. New priorities led to the exploration of new materials and techniques, and a different relationship, more like that of artist and collector was forged between creator and customer. The “New Jewelry Movement” evolved. ----- fashionjewelrycentre.com



Britain was slower to catch on. When Gerda Flöckinger started to study painting, in 1945, at St. Martin’s School of Art in London, jewelry was still taught there essentially as a design and craft discipline, considered of little value to a serious artist. It was Ms. Flöckinger, who later became a noted artist-jeweler, that eventually set up a pioneering course in modern jewelry at the Hornsey College of Art in 1962.

Since then, other colleges — notably Middlesex University, Edinburgh College of Art and the Royal College of Art — have developed thriving jewelry departments, represented in this show; galleries are now dedicated to artist-made jewelry; and a discerning public has learned to love this hybrid genre.

The Goldsmiths’ exhibition is rich in diversity of mood and technique, and reflects the confidence of a now robust tradition.

One of Ms. Flöckinger’s first students, Charlotte de Syllas who, like Ms. Flöckinger, cuts and carves her own stones, is showing sensuous carved stone necklaces and some sleek brooches.

Vicky Ambery-Smith, another Hornsey graduate, is showing distinctive architectural rings and brooches. ----- fashionjewelrycentre.com

Although they were not taught by Ms. Flöckinger, the professional journeys of Wendy Ramshaw — from illustration and fabric design to jewelry and public art — and her husband, David Watkins — from sculpture and jazz music to jewelry — reflect similar responses to the creative freedoms of the 1960s.

Ms. Ramshaw’s inventive and surprising pieces — ring sets adorning elegantly pointed finger towers; geometric brooches like cubist drawings — have set a high bar for contemporary jewelry since the 1970s.

Mr. Watkins, meanwhile, encouraged innovation and experimentation with materials as a professor of goldsmithing, silversmithing, metalwork and jewelry at the Royal College of Art from 1984 to 2006.

Several of his students are showing their wares in this exhibition, including Andrew Lamb, with his subtle and exquisite hand-drawn wire pieces; Malcolm Betts, whose reclaimed jewels shine from unpolished, contemporary settings; and Kamilla Ruberg, whose beguiling kinetic jewelry is accompanied by delicate new geometric constructions in fine gold.



Mr. Watkins’s jewelry balances formal and technical invention with a sensitivity to the idea of jewelry as adornment.

One of his students was Dorothy Hogg, whose work in silver, sheet metal, red beads and felt, is, she said, “surprisingly autobiographical.” Each beautifully made piece seems to lean toward the body of the wearer, asking to be taken up like a partner in a dance.

Ms. Hogg’s father and grandfather were watchmakers and jewelry retailers in Ayrshire, Scotland. She ascribes her capacity for intense focus on technical detail to the knowledge she gleaned in childhood.

As professor of jewelry and silversmithing at Edinburgh College of Art for more than 20 years, until 2007, she passed on this meticulous workmanship to her students and colleagues — a quality that unites the very different sensibilities of Susan Cross and Andrew Lamb, two of her protégés. ----- fashionjewelrycentre.com

Daphne Krinos, born in Greece, was inspired to make jewelry by looking at ancient Greek gold, and she chooses stones that evoke for her the burned colors of Greek summers.

Those influences, however, have been constantly modified by other inspirations — the environment of London, the natural world, art and family life.

Similarly eclectic in her inspiration, Catherine Martin shapes her densely woven hand-braided jewels under the influence of her past love affairs with classical music and Japanese textiles. Susan May, too, draws on a love of music in fluid, sensual jewelry that takes form in her sketch pad, where she draws anything and everything that catches her imagination.

For each of these artists, jewelry, far from being a creative sideshow, has become a powerful and exhilarating medium for the expression of ideas and feelings.

To reinforce that message, Goldsmiths’ has commissioned a set of short documentaries from student filmmakers to examine the rich hinterland of biography, thought and practice that lies behind each body of work.

For, as much as a particular expertise honed over many years, it is each artist’s intense personal commitment to the medium that gives the work its value.


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Peter Carl Fabergé’s final grand commission for Czar Nicholas II was an Easter egg made of Karelian birch, intended for the Dowager Empress Maria Feodorovna.
“Fabergé had his own wood workshop staffed by Finnish craftsmen, who worked hand in hand with the goldsmiths,” said Kieran M. McCarthy, director at Wartski, an art and antique dealer in London specializing in fine jewelry, gold boxes, silver and works of art by Fabergé. “For Russians, exotic tropical wood was as fascinating as nephrite jade.”

The egg was never delivered — by Easter of 1917, the czar and his family were imprisoned in the Alexander Palace: and the revolution put an end to Fabergé’s business.

From then on, wood largely disappeared from fine jewelry — apart from a brief moment in the 1970s, when Cartier turned to ebony for its Touch Wood pendant collection — displaced by a preoccupation with precious metals and gems. ----------- www.fashionjewelrycentre.com



“You wouldn’t go into Graff or Winston or Van Cleef and see wood,” said Rahul R. Kadakia, Christie’s head of jewelry in New York. “Wood jewelry branches more into fashion.”

Now, however, the pendulum is starting to swing back.

“We take three things from the earth — metal, stones and wood — and they’re all natural things, which is why they have harmony together,” said Axel H. M. Scheffel, principal of Scheffel-Schmuck in Munich, which began making a line of wood jewelry, using computer-controlled milling machines, three years ago.

The Scheffel collection pairs more than 20 different types of hardwoods, including Australian sheoak, amaranth and walnut, with a rainbow of semiprecious gems such as lemon quartz, green amethyst and moonstone.

“Wood is a way of being fashionable and trendy without having to say, ‘Here, buy this $5,000 metal cuff,”’ said Helena G. Krodel, director of media and special events for the Jewelry Information Center in New York.

In that spirit, the Italian jeweler Roberto Coin included reclaimed African ebony in three collections unveiled at the Baselworld fine watch and jewelry fair in March. His Capri Plus bangle in ebony and 18-karat yellow gold with cognac diamonds carried a suggested retail price of $6,800, compared with $13,500 for an all-gold version.

Another Italian jeweler, Vhernier, based in the traditional gold-working center of Valenza, is also using ebony, combined with rose gold in a collection of sinuous pieces evoking the simple, yet sophisticated, forms of modern and contemporary art.

Some designers are drawn to wood not for how it looks or how much it costs but for the way it feels. Gustav Reyes, owner of Simply Wood Rings in Chicago, handcrafts salvaged lumber in designs that “bring out the warmth and honesty of the wood.” ----------- www.fashionjewelrycentre.com

“Wood has a rich color that naturally oils and darkens when it’s worn,” said Katey Brunini, a designer based in Solana Beach, California, whose Twig collection of cuff bracelets and pendants incorporates cocobolo wood from Costa Rica. “Its earthy palette and grain patterns can be gorgeous.”



The designs of Umane Paris, which earned the prestigious Joaillerie de France label in 2007, revel in the contrast between wood’s dimpled, uneven texture and the smooth polished surface of metal and stones. A British designer, Anthony Roussel, on the other hand, is intrigued by a different sort of contrast: He uses 3D software, rapid prototyping and laser-cutting to sculpt wooden rings and bangles with a mathematical precision that contrasts with their organic appeal.

“With the use of wood, I am questioning the traditional notions of preciousness,” Mr. Roussel says in a statement posted on his Web site. “In using new technologies as a tool, I am questioning existing perceptions of craft.”

Christine J. Brandt, a wood carver and jeweler based in Brooklyn, New York, poses similar questions with her phantasmagoric wood jewels, which, while handmade, are anything but homespun. In her hands, wood is less a hippie-chic accent than a blunt instrument. ----------- www.fashionjewelrycentre.com

“I wanted to make a killer piece,” Ms. Brandt said of a fierce Macassar ebony cuff that she created for a traveling Swarovski Elements exhibition, introduced at the Baselworld fair in 2008. The cuff, which required half a year to carve and polish, is set with an icicle-like specimen of jagged white crystal sprinkled with green epidote.

Ms. Brandt’s attention is currently focused on a new line of knuckle-dusting bridal rings fashioned from milky-colored tagua nut and chocolaty African olivewood, and topped by Herkimer diamonds, a type of quartz crystal. Unconventional, to say the least, the rings call to mind solitaires from a parallel universe.



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IN a television commercial that began showing recently, a woman in her 30s places jewelry into a small box.

“Steve — crazy jealous, but very generous,” she says, examining a bracelet. Then, putting an engagement ring into the box, she says, “Marty — he just couldn’t get off the fence.”

The ad — running on cable networks including Bravo, Oxygen and Style — is for OutOfYourLife.com, a company that mails a “Break-Up Box” that customers return with jewelry, for which they receive a check. (If the check is insufficient, they may return it for their jewelry.) The company’s tagline: “It’s time to break up with his jewelry, too.”

OutOfYourLife.com is a new venture by Lippincott, based in Pennsylvania, which buys scrap gold and other jewelry, mostly to melt down. Lippincott has an established business, GoldKit.com, but the new brand aims specifically at women, and takes a more subtle approach than many mail-in jewelry buyers, whose ads have proliferated as the value of gold and the need for cash have increased. ---------- fashion-china-jewelry.com



The industry leader is Cash4Gold.com. Its best known commercial made its debut during the Super Bowl and stars Ed McMahon, who nearly lost his home to foreclosure last year, and rapper MC Hammer, who filed for bankruptcy in 1996. In the commercial, Mr. McMahon contemplates selling his gold hip replacement, and Mr. Hammer his gold records.

“We didn’t want to go down to this slimy area where Ed McMahon and MC Hammer are looking to pay their mortgage,” said Malcolm Karlin, president of Karlin+Pimsler, the New York agency that produced the OutOfYourLife.com spots. “We wanted to get out of that desperation area and raise that bar.”

Mr. Karlin’s agency was hired by Lippincott last year to produce ads for GoldKit.com, and he was at a meeting in the company’s offices outside Philadelphia when he saw an employee opening a parcel containing a 5-carat diamond ring. “She said, ‘This is a person we hear from quite a bit,’ ” Mr. Karlin said. “ ‘She has a bunch of boyfriends, and they’re very generous with the jewelry.’ ” From that, and a conversation with his co-worker who reported she owned three engagement rings, Mr. Karlin came up with the concept for the commercial. Lippincott liked the idea so much that, instead of using it as a GoldKit ad, it decided to build an entirely new brand.

“There’s a whole core of women who have jewelry they would love to sell but who would not respond to a distressed, depressed approach,” said David Taffet, majority owner of Lippincott.

The fact that there is a market for selling jewelry from exes is not news to Megahn Perry, who co-founded exboyfriendjewelry.com in 2008.

Ms. Perry, who is divorced, started the site after bringing her dust-gathering wedding and engagement rings to a pawnbroker, whom she found unpleasant, and a consignment store, where the commission seemed excessive. ---------- fashion-china-jewelry.com



On the advertising-supported site, which monthly draws 23,000 unique visitors who buy about 2,000 items, the tales are of relationships more tarnished than some of the goods.

“My ex-husband bought this for me on our honeymoon,” begins a recent listing for a ring. “Too bad he wasn’t as generous with his communication as he was with the jewelry.”

Jeff Aronson, chief executive of Florida-based Cash4Gold, said that since its Super Bowl ad, the volume of transactions the company had been completing had tripled.

“It really cast the company into American culture,” said Mr. Aronson, who added that it had been mentioned repeatedly in Jay Leno monologues. (“The economy is so bad,” Mr. Leno joked in January, that “Steven Spielberg sold his Oscars to that Cash4Gold company.”)

But the ad also drew what Advertising Age called a “backlash” of negative news coverage, including a Los Angeles Times article that reported Cash4Gold had a D rating from the Better Business Bureau. A report on ABC’s “Good Morning America” also mentioned the D rating, while the syndicated series “Inside Edition” reported that Cash4Gold issued them a check for only $209 after investigative reporters sent in jewelry valued at nearly $1,000.“I’m never going to be able to pay the highest price all the time,” Mr. Aronson said, adding that his company takes a bigger cut because his service is more convenient than going to pawn shops. (A Cash4Gold spot last year, however, promised, “Get TOP DOLLAR for your gold!” The Better Business Bureau says on its Web site that it asked Cash4Gold to substantiate the claim in October, but that the company declined to do so, though it ceased making the claim.) ---------- fashion-china-jewelry.com



“BBB complaints account for less than 1/29th of 1 percent of all the 900,000 transactions we have done,” Mr. Aronson said in a written statement, adding that he expected “our ranking to improve when judged according to national BBB standards like other large, nationally advertising companies.”

But Alison Southwick, a Council of Better Business Bureaus spokeswoman, said there are not unique “national BBB standards,” and that local BBB chapters rank businesses, including multinational companies in their districts, on the same criteria.

“It’s just not possible for Cash4Gold to get a better grade by going around or above their local BBB,” Ms. Southwick wrote in an e-mail message. “If Cash4Gold isn’t pleased with their grade, the ball is in their court and it comes down to treating customers with fairness and honesty.”

Mr. Taffet of OutOfYourLife.com, whose company has an A-plus rating from the BBB, said Cash4Gold’s negative news coverage “has brought a lot of negative attention to the industry and created a level of disdain that I do not think is fair to the entire industry.”





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They may have grown rich trading in tin, but it was a different metal that showed off that wealth: gold. Peranakans — Straits-born Chinese — developed their own distinctive, hybrid culture, fusing their Chinese heritage with local Malay influences. This can be seen in the jewelry they wore as a symbol the family had arrived.
“Baba Bling, The Peranakans & Their Jewellery,” at the Peranakan Museum in Singapore through Dec. 13, celebrates the Peranakans’ flamboyant style with more than 300 pieces of jewelry, many of which are treasured heirlooms on loan from families and private collectors. Indirectly, the exhibition also traces the fluctuating fortunes of the community from the mid-19th century to today. ------- china-wholesalejewelry.com

“Jewelry is a reflection of Peranakans’ beliefs and lifestyles, and it gives an insight into their rituals and customs,” said Kenson Kwok, director of the Asian Civilisations Museum here.



Peranakan jewelry — associated with the sparkling, bejeweled style of the late 19th to early 20th centuries, when the community’s fortunes were at a zenith — was mainly worn by women, or Nonyas. The men, or Babas, favored simple and functional items, like watches, buttons, chains and rings. Very few items prior to the late 19th century have survived, because most were incorporated into newer, more fashionable pieces. But the few on display show a simpler taste, with an emphasis on metalwork as opposed to gem stones.

This tendency to “upgrade” jewelry is best seen in the kerosang, the set of three jeweled brooches that Peranakan women use to fasten their tunics. By the turn of the 20th century, kerosang works were quite large and sported sizable diamonds. They were the most prominent piece of jewelry worn, with the best ones reserved for special occasions like weddings and birthdays. Today, however, it is rare to find complete sets of the brooches, as most have been either divided among family members or sold.

Highlights at the exhibition include 12 spectacular sets of kerosang from the late 19th century to World War II, including three designed for a period of mourning and characterized by the use of pearls (symbols of tears in Chinese culture) and silver. The gold and diamonds more typically favored on kerosang would have been considered disrespectful on such occasions, said Randall Ee, a museum curator and a Peranakan. ------- china-wholesalejewelry.com



It was not just the kerosang that became more elaborate. Dainty rings and earrings set with intan (rose-cut diamonds of various quality) gave way to large diamond solitaires, sometimes with eight carats or more, while silver belts and buckles, usually hidden under clothing, were replaced with solid gold ones. (These easily portable forms of wealth would come in handy during World War II, when many Peranakan families had to abandon their homes.)

Peranakans profited under British colonial rule, and began to incorporate heraldic symbols like the lion and the unicorn from British coats of arms, Mr. Ee said. In the 1930s, necklaces, usually worn like chokers, became popular, probably the result of exposure to European styles of jewelry. But overall, the women continued to favor birds, flower, bees and butterflies, motifs associated with fertility and marital bliss in their culture.

World War II marked a turning point in the fortunes of the Peranakan community, as much of the wealth that was built up in the previous 50 years was wiped out. Pieces of jewelry and the gems that adorn them became noticeably smaller. ------- china-wholesalejewelry.com

Today, on special occasions, many Peranakans still dress up in fine, colorful short tunics known as kebaya and display their jewelry. But few commission specific pieces as they would have done in the past.





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A Colorado middle school is asking parents not to allow their children to wear a type of colored bracelet to school over concerns that the bracelets hold specific sexual connotations for students.

Mike Medina, the principal of Angevine Middle School in Lafayette, near Boulder, sent an e-mail message to parents on Thursday warning them about the “jelly” bracelets, whose colors are said to indicate a level of sexual activity that a student has either experienced or is willing to engage in, said Briggs Gamblin, a spokesman for the Boulder Valley School District. ------- fashion-china-jewelry.com



Mr. Gamblin said school staff members had picked up on conversations students were having about the bracelets, which have become increasingly popular this year, and brought the matter to Mr. Medina’s attention. The principal then met with a number of students and concluded that the bracelets had become enough of a distraction through classroom and hallway conversations to warrant the e-mail message.

“It’s turned out that a lot of the kids, especially the girls, wear them as fashion statements,” Mr. Gamblin said, “and some were adamant they didn’t have any connotation.” ------- fashion-china-jewelry.com



But, he said, other students had discovered through the Internet a game called “snap,” in which the color of the bracelet denotes willingness in engage in a particular sexual activity. When a boy snaps the bracelet off a girl, that activity is ostensibly supposed to take place.

The rubbery bracelets look like the sort that became popular during the ’80s. But over the past few years, some schools across the country have banned them amid fears that they have become synonymous with sex. Indeed, myriad jelly- or sex-bracelet Web sites refer to the game snap, with some sites even providing color guides. ------- fashion-china-jewelry.com

Mr. Gamblin said that there had been no reports of the game being played at Angevine and that the measure was preventive for now. He added that students caught wearing the bracelets would not be punished, but would be asked to take them off.



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Fabergé, jeweler to the last Russian czar and creator of the legendary Imperial Easter eggs, made a comeback of sorts Wednesday when it presented its first jewelry collection in more than 90 years, even as other luxury goods makers are bracing for a tough year.
The collection is the result of a two-year effort by Fabergé’s owners, a group of investors led by the British private-equity firm Pallinghurst Resources, to revive the brand by reuniting it with two heirs of the Fabergé family.



And in an unusual twist, Fabergé said it would not sell the colorful gemstone earrings, rings and brooches through retail outlets, but through its Web site and 15 sales representatives.

“Rather than replicating inventory and investing capital in bricks and mortar, we can invest in making unique jewelry,” Mr. Dunhill said Wednesday.

The retail strategy is likely to be watched closely by competitors like Cartier and Chaumet, who are vying for the same high-net-worth customers. The economic downturn did not spare luxury goods, and many high-end jewelers, like Theo Fennell of London, have reported a decline in sales. But a recent increase in the price of oil has given rise to some optimism that customers from resource-rich places like Russia and the Middle East would return. -------- fashionjewelrycentre.com



John Guy, an analyst at MF Global in London, said Fabergé had the advantage of a well-known name, especially in Russia. “The Fabergé brand is still highly desirable,” he said.

He added that the online retail strategy was a gamble because even though it offered more discretion to the buyer, shoppers would not be able to enjoy the experience in the store.

In an effort to reproduce the shopping experience online, Fabergé hired I.B.M. to create a technology that would allow customers to enlarge the image of the product on the screen, look at it from different angles and contact the sales team, which speaks 12 languages, at any time. Potential customers could then either visit Fabergé’s flagship store in Geneva to buy the jewels or get a representative to meet them “anywhere in the world, whether at the top of a mountain or on a private island in the middle of the ocean,” according to a company statement. -------- fashionjewelrycentre.com

Created in St. Petersburg in 1842, Fabergé grew to become one of Russia’s largest and most successful producers of jewelry and art works. When Czar Alexander III commissioned Peter Carl Fabergé to make an Easter present for his wife, he created the first Fabergé egg; 49 more followed.

The company was nationalized during the Russian Revolution and the founding family fled, scattering to France, Germany and Switzerland. The family sold the brand name in 1951 in a legal settlement with an American perfume manufacturer, Sam Rubin, who had used the name for a decade without the family’s consent. His Fabergé perfume, toiletries and shampoo business was ultimately bought by Unilever.

In 2007, Pallinghurst teamed up with the South African financial services firm Investec and other investors to buy the name with the plan to revive its Russian heritage. They invited Tatiana and Sarah Fabergé, Peter Carl Fabergé’s two surviving great granddaughters, to form a Faberge heritage council to advise the management on preserving the family’s legacy.



The chairman of Pallinghurst, Brian Gilbertson, knows the allure of Fabergé in Russia. He was president of Sibirsko-Uralskaya Aluminum, a Russian metal producer, in 2004 when the company’s controlling shareholder, a billionaire investor named Viktor F. Vekselberg, bought nine gem-encrusted Imperial Easter eggs and 180 other Fabergé pieces from the heirs of Malcolm Forbes, the American publishing magnate, who died in 1990. -------- fashionjewelrycentre.com

The new collection does not include any eggs, but it is strikingly colorful and based on motifs, like flowers and animals, from collections created more than 100 years ago. Prices range from $40,000 for a ring to $7 million for a bracelet inspired by Monet’s “Water Lilies.” The company said it expected to turn a profit within five years.

Mr. Dunhill said there were no immediate plans to start producing Fabergé eggs again, but he did not rule it out. “Eggs remain the most potent symbol of the house of Fabergé,” he said. “Sooner or later we’ll embrace that opportunity.”

This article has been revised to reflect the following correction:

Correction: September 19, 2009
An article on Sept. 10 about efforts to revive the Fabergé jewelry brand misstated the occupation of Sam Rubin, to whom the Fabergé family sold the brand name in 1951. He was a perfume manufacturer, not a retailer.



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Frankfurt is a city better known for money than for culture. But an exhibition by the sculptor and jeweler Rita Grosse-Ruyken, “Rays of Light,” at the Museum für Angewandte Kunst, or applied arts museum, has brought a new take on gold and silver to the heart of the German banking system and home of the European central bank.

In a video at the entrance to the show, the artist gently beats a bowl into shape from a golden disc. The process, using hammers that gradually decrease in weight from 4 kilograms, or 9 pounds, to 75 grams, is guided by the slowly modulating music of the blows, like a glockenspiel, on the ever-finer metal skin. A large bowl takes up to three years to complete, in which time Ms. Grosse-Ruyken works 10-hour days in the converted Bavarian watermill that is her studio, standing for up to 45 minutes on one leg while using the other to support the wafer-thin material. ------------ china-wholesalejewelry.com



The end result is a vessel with walls less than a millimeter, or 0.04 inch, thick, of such delicate refinement and suppleness that, when she lifts it, it quivers and breathes with a life of its own. Balanced on a pure white marble pedestal quarried from the Greek island of Thassos, it undulates with every sound and movement of the air.

Born in 1948 and raised on an estate overlooking the Danube, with a gentleman blacksmith grandfather, Ms. Grosse-Ruyken studied philology and visual arts in Munich in the 1970s, where she became a pupil and friend of the Catholic philosopher Aloys Goergen. Her work is rooted in a conjoining of the metalworker’s craft and her mentor’s search for the unification of material and spiritual worlds.

“Rita is not only an exceptional artist; she is a phenomenon as well,” said Sabine Runde, vice director and curator of the Frankfurt museum. “Her personality, her appearance and her work are one. Part of her uniqueness is her inimitable capability — technically, spiritually, mentally, uncompromisingly focused on a clear vision. To realize her vision, no mountain is too high, no way too long for her. She and her work are extraordinary from the beginning: a deep intention and continuity inspires all she does.”

To make her pieces, Ms. Grosse-Ruyken goes to extraordinary lengths of personal commitment and technological innovation. For her 1986 work, “The Silver Cord,” she cast, forged and hand-pulled refined silver into a diaphanous thread that she then wove into a quasi-transparent spatial structure, a 21-meter, or 69-foot cord that took eight months to complete. For “Rays of Light” — “Durchflutung,” in German — she developed a technique of embedding two wafer-thin concentric platinum rings invisibly into the initial gold disc, to provide a necessary reinforcement for the ever more fragile walls of the bowl. ------------ china-wholesalejewelry.com



The processes and results “have no parallel in history and presence,” said Ms. Runde. “For me as a curator, she is writing history with her work.”

“The artist works with the material until it reaches its physical limits, while simultaneously exploring her own physical limitations,” said Ulrich Schneider, the museum’s director, in a foreword to the catalog of the show. “She creates an esthetic abstraction with her works that is intended to lead into numinous realms.”

One of a cluster of museums along the Main river known as “the string of pearls,” the applied arts museum is housed in the Villa Metzler, once home to Germany’s oldest private banking family. The American architect Richard Meier in 1985 added a luminously minimalist extension that provides a resonant setting for the show.

“The proportions, the white and the light” of Mr. Meier’s design “correspond naturally” with the installation, said Ms. Runde. ------------ china-wholesalejewelry.com



In a space saturated with light, white on white walls melt into floors. Gold and silver bowls and hanging gold and silver mobiles shimmer and reverberate.

The mobiles, Calder-like, twist and turn, reflecting the ever-changing light. A wraith-like twirl in silver reaches heavenward. Titled “The birth of the number — one,” it materializes, says a text by the artist, “forward-thrusted Fibonacci spiral space.”

The exhibition includes gold and silver jewelry. Inspired by Etruscan, Greek or African ornaments, the pieces marry foil and filigree, the spirit of antiquity and contemporary virtuosity.

On an upper floor, at the zenith, literally, of the exhibition, a large golden bowl sits on a white pillar at the center of a maze of white screens in a white cubic room, entered by a doorway screened with a rose-red curtain. Viewed through different openings, it radiates endlessly changing plays of light from its almost translucent surface, a sun-spirit at the center of a Copernican universe.

Speakers transmit the sound of the bowl’s movements, captured and magnified by a system of sensors installed by musicians of the Berlin Philharmonic orchestra — a latter-day rediscovery of the music of the spheres.

Like the Renaissance cosmologists and alchemists, Ms. Grosse-Ruyken is concerned with universality and transformation; the mathematics of the physical universe and the metaphysics of timeless space. In her hands the weight of pure gold becomes light, diaphanous, dissolving into an insubstantial eternity.

“The heaviness of the material is brought to the lightness of light,” Ms. Grosse-Ruyken said in an interview. ------------ china-wholesalejewelry.com

“The heaviness is no longer felt. The light dissolves the material. I have inner imaginations and this is the concretization of the visions. It’s a long process — a strong dialogue between the material and me.”



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The history of fashion has never done without bracelets as jewelry accessories. Bracelets were must-have accessories in Eastern countries whereas golden and silver bracelets in Ancient Ellas and Russia just highlighted the status of the women wearing bracelets showing her status in the society and adherence to the nobles.
The word «bracelet» came into the jewelry world from the French bracelet meaning just the «wrist». The archeologists assert that people would wear bracelets since the Paleolithic epoch when the tusks of mammoths were used to make the ring-shaped wrist accessories for women. The bracelets come among the museum items of the Stone Age made from the stones of intricate shapes. The holes were drilled in them which were linked with the leather bands. The metal bracelets are found to be trendy during the Bronze Age. ---------- fashionjewelrycentre.com



Since those times the Lady Fashion caused the bracelets get exposed to various subtle experiments. The design and style changed along with the size and structure. The «bracelet» etiquette acquired to wear these accessories on the right hand unlike the wrist watches. The fashion trends of the present times favored for bracelets to wear in the way «who likes what and how», and actually bracelets on both hands look appropriate and trendy.

The designers developed several «basic» models of bracelets with pros and cons for each of them which are good to consider when choosing your type of bracelets.

Round bracelets

Round bracelets have been in favor since antiquity and they are still in now. In the medieval Russia the bracelets were also called bands and they were mainly worn to attest the state of wealth. The noble women used to purchase golden and silver bracelets while the city dwellers liked glass bracelets and copper bracelets were left for countrywomen.

Modern tendencies allow wearing a single bracelet on each hand and lots of them on both hands are still in for any occasion. It is up to the taste and desired image a woman wants to achieve. The seeming ruggedness of such bracelets ensemble is paid scot and lot with the little weight of accessories. The classical round bracelet is usually made as the one-piece ring. The swivel versions come also created by some designers when two halves of the ring is fixed with the joint on one side and on the other side there is a lock. ---------- fashionjewelrycentre.com



Open ring-styled bracelets

Such bracelet is considered to be the accomplishment of the Inca civilization. It has no clasp, and it is easy to handle since it is easily taken on and off. It is well squeezed to the size of the wrist. The drawback of such open bracelets is that they are often deformed and are not durable at all.

Bracelets

Once upon a time Chris Evert, the tennis player, dropped a round diamonds bracelet on the grass while playing a set of tennis. The event caused the jewelers to create the tennis bracelet which is thin, round, incrusted with small precious stones, most often diamonds or sapphires, and with some more clasps. Many ladies wear tennis bracelets all day and night as the wedding rings.

Chain bracelets

Chain-style bracelets are typical for jewelry made from precious metals, like gold, silver and platinum. Chain bracelets often come with the dangling plate with engraved symbols or letters. The military plate set the trend to have such a plate as an accessory in the XX century.

Those who served in the army are aware that the plate contains the personal data about the soldier in case of his death or any other extreme occasion. Consequently, the trend to engrave the name of the beloved, the phrases and symbols meaningful for the owner on the plate is popular now.

Woven bracelets

The canons of the jewelry industry require weaving bracelets from narrow metal bands resembling the wire and as a result we have a delicate laced structure of the jewel. The technology of bracelet weaving was perfectly mastered by the admirers of hand made works. They use beads, bugle beads, natural material, leather, textile and various plastic fittings instead of gold and silver. ---------- fashionjewelrycentre.com



Glider bracelets

Glider bracelets are jewels made from plenty of chains called gliders. The chains are linked with the joints or elastic and flexible springs. The most expensive models of glider bracelets have every chain engraved with art work or decorated with the insertions of precious stones. Sometimes glider bracelets are the really haute couture items since every reputed jewelry house tries to develop the signature linking techniques and chain processing.

How to wear bracelets

Ladies with thin aristocratic wrists can enjoy both thin and solid bracelets. Thin bracelets add some elegance to the image when the solid bracelets make the wrists look fragile.

A hand of average size is also a goon version to experiment with volumes and shapes of bracelets. ---------- fashionjewelrycentre.com

The wider wrist allows only solid and bulky bracelets that attract attention to the hands.

Bracelets are chosen to match the style of wear. Such materials as wood, elephant ivory, and natural gems go well with ethnic motifs.

Luxury evening dresses go with golden bracelets with diamonds fixed on the case on the surface level. The solemn events welcome bracelets from platinum, white or yellow gold encrusted with any precious gems.

The business style requires traditional materials and jewelry techniques. Bracelet-like watches is sometimes enough in the case from precious metals.

Summer attires look attractive with cheaper plastic, leather, wooden or bony bracelets. The ensemble of several various bracelets is allowed for each hand.



What celebrities prefer

Bracelets appear to be the favorite accessory by celebrities. Thus, Beyonce is especially keen on «wild» stones and wears the malachite bracelet with the non-faceted diamond by Simmons Jewelry Company. Halle Berry goes banana with plastic and wooden bracelets and change them every day.

There was the parade of bracelets demonstrated at the last ceremony of Emmy Award. Blake Christina Lively showed off wearing an elegant diamond accessory by Lorraine Schwartz, Leighton Meester boasted with the wide bracelet from yellow gold wit the diamond insertions by Cathy Waterman, Debora Missing was wearing Lorraine Schwartz bracelet as well made from over one hundred carat yellow diamonds. Tina Fey was shot by photographers wearing a diamond tennis bracelet by Fred Leighton.

Natalya Glebova, Miss Universe 2005 managed to try on the most expensive bracelet in the world. The jewelry named Ishi decorated the hand of the beauty from the arm to the wrist. The jewelry trend Suashish Diamonds Ltd demonstrated its masterpiece at the international exhibition in Mumbai in 2005. The bracelet was made from a kilo of gold and ten thousand diamonds. The experts estimated the bracelet for one million dollars. ---------- fashionjewelrycentre.com



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Everything undergoes sea changes in this world and it is proved that the fashion trends are not created but replicated in new approaches and vision by designers. Some time back our grandmas have their dresses decorated with brooches and now a modern fashion lady cannot do without this accessory. Moreover, sometimes the entire ensemble is built based on the brooch.

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A brooch is not a simple jewel and a woman should show her elegance and style to wear it as an accessory. A brooch is one of accessories to match with any ensemble. It goes wellwith a T-shirt and a wedding gown, the evening dress and business suit and if the rightaccessory is chosen, the image will be winning.

Brooches first appeared in the Bronze Epoch and the way brooches looked changed many times. This accessory was accepted by the society when madam de Sevigne appeared wearing brooches as jewelry in XVII century. That was the time when the court spy stories were highly popular and any lady from the high society should have brooches as jewelry kept in her jewelry casket to use as signs to communicate with particular information. When a lady appeared wearing a lovely brooch or a nice flower on her shoulder, it seemed just an accessory to uninitiated though particular people concerned in these affairs knew that a lady was ready for the visit of the spy guest or that she received the important message.

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Today brooch is not a popular tool to send message with though people consider a woman wearing brooches as, first, a more attractive female, and nonetheless a brooch tells particular message to the surrounding people and it makes sense to read it. Thus, a lady should be more careful when choosing brooches to decorate her attire. Softer and tender floral elements definitely tell about the mild and quiet temper, while the brooch made in modern style with sharp edges depicts the mature and purposeful personality. When you see a woman wearing a dress decorated with a vintage brooch, it says that she is a romantic person keen on fashion trends.

By the way, vintage fashion trends are gradually penetrating all the spheres and the brooch is getting more popular. An ancient female attire is not completed without this ancient jewelry, definitely. Within the 50s a brooch was like an accessory liked by confident and bossy women. It was a popular accessory loved by Victoria, Queen of England, Premier minister Margaret Thatcher, US State Secretary Madeleine Albright and other authorized women. Currently brooches are used to accentuate on beauty and tenderness, like Sharon Stone who acquired a set of the brooch and earrings as cameo.

Brooch is one of accessories which serve as the key decorative element in the ensemble. Legendary Coco Chanel once mentioned that a woman should decorate herself with only a brooch, watches or a bracelet and a ring, and this is enough to look perfect. Today plenty of jewelry is provided and a brooch can be easily overshone though it is of no good, and brooch then should be avoided wearing. Brooch is the accessory that can highlight the detail you want to draw attention to. When a neck zone is decorated with a brooch, it accentuates the face and complexion, when the accessory is at the shoulder, it accentuates the low neck area. You delicate and thin wrists are good to emphasize decorating your sleeve with a brooch while a brooch on the hat shows the beauty of the hairdo.



A brooch is a universal accessory that goes perfectly with hats, scarves, evening dress or a business suits. It looks appropriate on the handbag or even the shoes. One tip to bear in mind is that brooches are well matched with earrings or rings but not bracelets or necklaces and they are chosen to complement shoes and handbags. Nevertheless, lately the rules setsin regards to wearing brooches are not observed at all. The individual style and taste aremore essential in here and this is your look and you should know better what goes with whatand how. Nowadays brooches come in a variety of assortment made from fabric andleather, matte and brilliant brooches of any shape and texture are a good accessory todecorate an ensemble. -------- fashion-china-jewelry.com

Though, as it was earlier, golden and silver brooches are highly appreciated since they really adorn the beauty and elegance of ladies.

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Ears are pierced from the time immemorial and when we talk about piercing we hardly think of ears. Nose piercing is the second popular type of body piercing in the world. this custom was practiced long time ago in the Indian, African and South Pacific cultures. Honestly specking, it was rare till our days when this is trendy to have this small piece of jewelry in the nose. First nose piercing was mentioned back in II thousand years B.C. in India nose piercing is more than popular, it is, moreover, the part of tradition. In 70s of the previous century piercing as a trendy movement seemed to be pretty fashionable among the avant-garde young people who often rebelled against settled conservative traditions and customs. ------------- china-wholesalejewelry.com


There are several types of nose piercing. Pierced are the nostrils, septum, or bridge and the piercing can be done deep or vertical. Nostril piercing is too popular among young girls who tend to emphasize their individuality and uniqueness. It works if the piercing is done by the professional and the nice jewelry on the beautiful nose really makes a girl attractive and chic. Nostril piercing is the simplest technique among nose piercing approaches. The jewelry is placed somewhere along the rim of the nostril, either on the left or the right side of the nose, whether a stud or a jewel with a stem and a head. The only problem is with placing a stud in the nostril since it causes some unpleasant feelings.

The rings, studs or any other jewel can be made from gold or titan of the tiny diameter to fit the thickness of the nostril. The material the jewelry is made from should not cause allergic reaction. Professional piercing studios offer piercing jewelry of good quality, though anyone who plans to get the nose pierces should know the jewelry appropriate for nose piercing is made from titan, white or yellow gold, platinum, niobium or palladium. Silver jewel is not recommended as a nose accessory since they may cause allergic reaction and leave a prominent dark spot on the nose. ------------- china-wholesalejewelry.com





Septum piercing is the real check of the person who is courage to get it. This piercing assumes accessories that are placed in the cartilage wall between the chambers of the nose, at the bottom of the nostrils. People sometimes call it a bull ring but never mind. The high qualification and experience of the piercing master is a great advantage with septum piercing. The master who hones his movements can pierce the septum perpendicularly to nose. Otherwise the jewel will not dangle evenly but say in one of the sides. Rings, rods, twills and horse shoes are best to use as the jewelry.

Bridge piercing is the exciting and extreme type of piercing. It is done on the surface of the nose, through the skin of the bridge of the nose. This procedure takes more time to heal and carries the most potential for rejection or healing out. The bridge piercing should also be done by the professional otherwise the jewel will look unevenly destroying the look. The deep and vertical piercing are the most extreme techniques. With deep piercing the central line of the nose is pierced, while the vertical assumes nostril pierce, through the cartilage. These procedures are too painful and no master will definitely state the period of healing since it depends on the individual features of the particular organism. ------------- china-wholesalejewelry.com



Once you decide for piercing but want to have it safe without complications, you’d better follow some rules. The appropriate care after the pierced point is required besides the quality of accessories to be used. Never take out the jewel until the pierced tissue is completely healed. To avoid infection into the puncture, try not to touch the place of piercing. It is recommended by the professional master that the puncture be treated with antiseptic solutions. The jewel should not be stirred or swirled until the puncture is completely healed. If you want to speed up the healing process, al the recommendations should be observed. Make sure to address to the specialist in case of any troubles.





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Oh the pride and joy of it all! There is an elegant gentleman, sinuous in his tailored suit, a wristband gleaming; here is the same figure painted in his Indian royal attire, with teardrops of diamonds dangling from succulent pearls.

Even grainy black-and-white film catches the glint and sparkle of the diamond-splattered breast of the Maharaja of Patiala as he parades around his palace. And the majestic ritual of Imperial durbars is shown on screen in all its bejeweled glory, as the King and Queen of England and Empire invite India’s royal princes to pay homage.

Let’s call it the final fling of the peacock male. For, despite a worthy attempt by the curator Anna Jackson also to bring the maharanis into the limelight, the Victoria and Albert Museum cannot help but celebrate the effervescent elegance of a male world. --------- fashionjewelrycentre.com





“Maharaja: The Splendour of India’s Royal Courts” at the V&A might have had more punch if it had focused entirely on the Raj — the colonial years when the princes, deprived by the British of their absolute rule, could concentrate on the decorative things in life: the world’s largest crystal chandelier or the biggest commission the Paris jeweler Cartier had ever undertaken (resetting the majestic Patiala diamonds).

The earlier part of the show, putting the Maharajas into their 18th-century context, after the disintegration of the Mughal empire, is visually intriguing. Detailed paintings of the durbars are so vivid that they seem ready to break out of their frames. Then there is the caparisoned elephant (a giant slab of sculpture) that shows off a decorative howdah, while various thrones, in solid gold or lush textiles, help to re-create the palace world. A mighty emerald belt, now in the palace treasury of Queen Elizabeth II, was initially used to dress up a Maharaja’s horse. --------- fashionjewelrycentre.com



Yet it is the fusion of India with Europe that gives the show its edge. Inevitably, a British vision of those colonial years is tinged with nostalgia. The tinny dance tunes of the 1930s, playing in a set capturing the streamlined furnishings of the era, sends a whiff of a world loved and lost — that is still in living memory for elderly visitors.

Yet it is the exquisite taste of the Maharajas that shines through, especially in the jewelry, but also in the Western-ized images captured by Man Ray or Cecil Beaton. The adjacent portraits of the Maharaja of Indore, in morning coat and in Maratha dress, suggest the emotional tug-of-war between two cultures.

With the delicate couture dresses from Madeleine Vionnet, ordered by the royal beauty Maharani Sanyogita Devi of Indore, the show proves that, once liberated from a semi-hidden existence, Indian princesses from Gwalior to Hyderabad could be as stylish as their husbands.

But the overwhelming feeling is of a celebration of male taste. Amin Jaffer, a consultant curator for the show, discusses the early experiment with East-West fusion in a fascinating essay in “Maharaja” — the sumptuous accompanying book from V&A publishing.



From the Reverso watches created by Jaeger-LeCoultre, especially designed for the polo fields of India, through Cartier’s 15-piece Art Deco dressing table set, to a Louis Vuitton tea case for the Maharaja of Baroda, the exhibition shows the cultural bravura emanating from British India. --------- fashionjewelrycentre.com

The jewels are the most poignant — not just because in some cases, like the mighty Cartier Patiala necklace, the gems that were sold to keep impoverished princes afloat have been replaced with substitute stones. It’s because the show closes an era when the male peacock finally folded its wings.





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There is a natural affinity between designing jewelry and making watches, and the two crafts often cross paths. For instance, Tiffany’s has been selling its own watches for over 160 years, and Cartier started its line of watches in 1904. On the other hand, traditional watchmakers have also turned to jewelry making: a good example is Piaget’s line of elaborate earrings.

Yet, to qualify for membership in the exclusive circle of celebrated watchmakers, making something pretty for women is not enough. The creation of a sophisticated timepiece for men is the essential test. Avakian, at any rate, seems to be convinced of this necessity: the Swiss jewelry house, based in Geneva, is celebrating its fortieth anniversary by releasing a watch designed solely for men, the Concept 1. --------- fashion-china-jewelry.com

“Women’s watches are easier to make because they are a lot closer to jewelry. Men’s watches are the real challenge,” says Edmond Avakian, the president of the company.



The watches, with a chunky but simple design, will be available in gold, white gold or titanium — initially in a limited edition of 40 each — with their cases carved from pure blocks of the corresponding metal. The mechanisms are powered by a 26 millimeter, or 1 inch diameter movement, with hand or automatic winding. Despite a hefty $59,000 price tag, a three-month order book has been built up since the watch was first presented in 2008. The official launch will take place on Dec. 10, in the Avakian boutique in Moscow.

“As strange as it might seem, the top buyers don’t care about the brand — because they have all of them already,” Mr. Avakian said. There are two types of watch buyers, he said: the ones who just want the brand, and the ones who actually want the watch. --------- fashion-china-jewelry.com

“These are the real collectors, who actually look at the watch. They trust us, don’t even ask for guarantee, even for pieces that are over a million dollars,” he said.

The prototype is a partnership between Mr. Avakian and his son Haig Avakian, who heads the U.S. operations and contributed to the design. Its official introduction has been timed to celebrate the opening of the family’s first boutique, in Beirut, in 1969. The July war in 2006 led to the closure of the Beirut shop but Avakian now has several international outlets, ranging from Sloane Street in London to Beverly Hills. Clients include Catherine Deneuve and Gina Lollobrigida.

Watches have always been on the older Mr. Avakian’s mind: he has worked on marketing top watch brands in his boutiques since he took over the company in 1976. The decision to branch out into design and manufacturing, he said, stemmed from a growing frustration with working as a retailer. --------- fashion-china-jewelry.com



“We have had several experiences of agreements gone wrong, of manufacturers not keeping their word, which is a common thing in the business,” he said. The recession felt like a perfect time to develop the business. “We seized the opportunity of people getting fired, as many talented people watchmakers were finding themselves out of work.”

The company plans to go the next step and introduce women’s watches that it will design next year. Still, Mr. Avakian insists that the aim is not to become a large-volume brand.

“We don’t do wholesale, mass distribution, where we can lose quality control,” he said. “The trick is to hardly have enough to supply our shops.”

--------- fashion-china-jewelry.com





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Waris Ahluwalia struggled to define the intricate, modernist jewelry that the Indian-born, American-based designer creates under the label House of Waris.

A colleague came up with the defining words: “Punk Maharajah.” That could describe the hip Sikh jeweler himself, as much as his creations, which have been nominated for a Council of Fashion Designers of America award. ---------- china-wholesalejewelry.com





Working with an atelier in Rome — especially for white gold pieces and pavé work — and in Rajasthan, where he spends half his time, Waris, as he is universally known, says that he thrives on a collusion of two worlds.

“I personally live that duality and my work reflects exactly that — it happens in my head,” the designer says, explaining that the inspiration for a three-dimensional bird shape “could not have come alive anywhere but in India.” ---------- china-wholesalejewelry.com





Waris was referring to techniques that go back 300 years and the cl ose collaboration with jewelers in old Delhi.

As a capsule actor, in Wes Anderson’s “The Darjeeling Limited” and “The Life Aquatic with Steve Zissou,” the Waris collaborations are not just with jewels.

Now there is also a book: “To India With Love,” dedicated to families affected by the Taj Mahal hotel terrorism in Mumbai. ---------- china-wholesalejewelry.com

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In the 19th century, it was customary for young English gentlemen to spend a few months, even years, on a “grand tour” of Europe, returning home with mementos that might have included trinkets of coral from this Neapolitan community at the foot of Mount Vesuvius.

Convinced that it warded off evil spirits, the Victorians, like the ancient Romans and Egyptians, prized Corallium rubrum, the precious red coral species found in the deep waters of the Mediterranean.

Coral continued to enjoy a special place among jewelry and fashion lovers, until fairly recently. -----------fashionjewelrycentre.com

Now, some jewelers have stopped using it, worried about the environmental effect that the trade hash ad. Campaigners also want to offer red coral more protection from over-fishing. But others, particularly those who rely on coral for their livelihood, believe they should be allowed to continue working with the beautiful species, in a sustainable way.



Tiffany, the high-end U.S. jeweler, stopped selling coral in 2002. Other companies like Stephen Dweck and Temple St. Clair have since followed suit.

“Coral popped on to our radar screen five or six years ago,” Michael J. Kowalski, president and chief executive of Tiffany, told a coral conservation conference in New York in October.

“Being broadly aware of the threats to coral from a variety of sources, and after speaking to a number of scientific experts and understanding the harvesting practices then employed, we concluded that the threats to pink and red coral were serious enough to adopt an appropriately cautious position,” he added in a subsequent e-mail exchange.

Tiffany signed on as a sponsor when the nonprofit group SeaWeb, based in Maryland, started a “Too Precious to Wear” campaign to promote coral conservation in January 2008.

Yet not every jeweler sees the issue in the same terms. Robert M. Taylor, president and chief executive of Maui Divers Jewelry, the largest jewelry retailer in the Hawaiian Islands, said he believed in coral conservation. However, he took issue with the “Too Precious to Wear” campaign’s core message that corals are in crisis, suffering from high consumer demand and, hence, should not be used in jewelry.

“It’s the opposite of what we feel,” he said. “Precious coral is too precious not to wear.” -----------fashionjewelrycentre.com



Unlike the Corallium, or pink and red coral, which is the target of the SeaWeb campaign, the precious black coral that makes up the bulk of Maui Divers’ coral sales is already listed on Appendix II of the Convention on International Trade in Endangered Species, known as Cites. The listing does not ban the sale of black coral; it does, however, mandate a strict reporting regime designed to prove that trade is “not detrimental” to the species’ survival in the wild.

“We have a model for black coral developed in 1976, adopted as a state management plan and enforced by the government for 35 years,” said Richard W. Grigg, a professor of oceanography at the University of Hawaii. “We know where it is and how much we’ve taken.”

Data on the coral populations in the Mediterranean and Pacific are much less complete. Part of that can be attributed to scale. The global black coral trade is estimated at 5 tons annually, compared with 30 to 50 tons for red and pink coral, the most valuable and widely traded deep sea coral species. -----------fashionjewelrycentre.com



Scientists do not know how much of the slow-growing red and pink coral now exists in underwater stocks; but they point to declines in known fishing zones as evidence that it has been critically depleted. According to the Food and Agriculture Organization of the United Nations, the harvest of Corallium from the Mediterranean fell to 38.9 tons in 2007 from 98 tons in 1978, while catches in the Pacific dropped to 12.5 tons in 2007 from a peak of 370 tons in 1966.

“In the ’50s, the Italians were harvesting incredible amounts of coral, tons of it in very shallow water,” said Georgios Tsounis, a marine biologist who has studied Mediterranean coral since 2002. The result of such activity, he said, has transformed the seabed from “a forest landscape into a grassland.”



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A hot new jewelry label with the cute name of CA&LOU is becoming a veritable “go to” brand for fashion followers who love bold costume jewelry on a budget. The idea for the line comes from two women who have been friends for a decade, Carolina Neri of Italy and Bérengère Lux of France. The collection started with a single ring that the women designed together. They then forged two copies of the ring, one for each of them to wear. In fact, the name “CA&LOU” is an abbreviation of Ms. Neri’s first name and “Lou Lou” the nickname for Ms. Lux. ----------- fashion-china-jewelry.com



Both woman have day jobs working in the fashion industry as a fashion stylist and as a fashion business consultant, respectively, and it was the positive reactions to the ring from friends and colleagues that motivated them to branch into designing a line of affordable jewelry.

The collection, which includes rings, earrings, necklaces and bracelets, has been inspired by the costume jewelry of the 1930s and ’40s, and is crafted entirely in Italy by Milanese artisans. By using semiprecious stones like malachite and onyx, Swarovski crystals, enamels and metals like silver and bronze dipped in pink gold, the designer duo has been able to keep prices reasonable, with most pieces costing between €300 and €1,200, or about $380 to $1,500.

The choice seems to be working for the brand, as its distinctive-looking jewelry has already garnered fans in fashion tastemakers like Margherita Missoni and Giovanna Battaglia. Less than two years old, the collection is already being carried by fashion-savvy stores like 10 Corso Como, Browns, Montaigne Market and Saks Fifth Avenue. ----------- fashion-china-jewelry.com

Don’t be deceived by the plain facade of the jewelry store Revantic. It is just the means used to better blend in with its 16th-arrondissement surroundings. It also subtly keeps at bay those who aren’t as committed to the power and beauty of gems as the store’s owner Esther Laporte.

A whippet-thin redheaded beauty of a certain age, Mrs. Laporte came late in life to the trade of a jewelry merchant. After spending 20 years working as a psychoanalyst, she decided, in 1999, to open a store dedicated to her enduring obsession for exquisite stones. Amassed over a lifetime, her collection ranges from a Byzantine cross to modern pieces that she designed herself using gems culled from the four corners of the globe.



There is no rhyme or reason to the styles, decades or designs of jewelry for sale at Revantic, other than Mrs. Laporte’s commitment to pieces that use gems in stunning colors and of the highest quality. Her passion for her precious jewels has kept Mrs. Laporte from selling pieces she feels aren’t right for a particular buyer. But by the same token she admits to dropping prices on other designs when she sees her love of a jewel mirrored in the eyes of the customer sitting across from her. So if you feel yourself worthy, why not step into Mrs. Laporte’s inner sanctum and revel in a world of vintage and modern jewelry just waiting to be discovered. Revantic, on avenue Victor Hugo, will soon have a Web site ----------- fashion-china-jewelry.com





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